Review: Iconic, genre-defining business from the one like Joker, and undoubtedly amongst the purple wow pioneer's best productions to date. Originally released in 2008 on Plastician's Terrorhythm, this now sees the light of day as a digital release. If you've not heard the ubiquitous sounds of Bristol referencing anthem 'Gully Brook Lane' in the past few years, then just where, exactly, have you been!? That idosyncractic synth riff has 'Joker' written all over it, with rippling melody, stepping b-line and buckets of grime infused flavour. 'Retro Racer' tunes into an 80s vibe, taking its name from an old arcade game and using the same memorable melody in the sonic infrastructure of the tune, with smacking beats and low end pressure underpinning it. Review: Given his rapid ascent from pioneering 'purple' producer to major player, it's perhaps little surprise to find that Joker's long-awaited (and much hyped) debut album sees the Bristolian youngster mixing typically funk-laden synth-step jams with moments of soaring dubstep pop and hip-hop funk. While it's the latter that have propelled his rise, it's the former on which he built his career.

It's notable, then, that the best moments on The Vision are those that draw most from his early purple work; the contemporary P-funk of 'Level 6', cyber-funk of 'Milky Way' and gorgeous Herbie Hancock-does-Purple grooves of closer 'Magic Causeway' are amongst the best things he's done. Review: Sophomore session heaviness: Joker returns with his long-awaited second album The Mainframe, and it's clear his purple shades are still hooked on tight. Developing his distinctive brew of bass and rich synth funk, Joker's unique signature is scribbled across the whole piece of work; from the epic, orchestral dubstep drama of 'Boss Mode' to the gritty, widescreen R&B of 'Wise Enough' via the Swindle-style jazz of 'An Intervening Episode' and the concept-style three-piece 'Scene' narrative where the real tale of album unfolds. Game Show With Double Whammy Synonym. Second album cliches are ten a penny.

The Mainframe sees Joker shoving his purple-gloved finger up at them all. Review: Mining his sizable back catalogue of tracks, Joker has called upon a host of producers to remix his work on no less than eight separate occasions, albeit staying within the realms of bass-weight business across the gamut of dubstep and its derivatives. Swindle adds some extra feist and flex into 'Purple City', while Gemmy takes a dramatic stance on 'Snake Eater'. Free Eyeline Video Surveillance Software Crack. There are more light-hearted synth horn stabs at work on Trolley Snatcha's version of 'Newham Generals', and Kromestar brings the cheekily swung noise on a bouncy version of 'Tron'. If this richly melodic corner of dubstep gets you swaying, then there's no valid reason to not delve into the purple goodness post haste.

Review: Okay hands up, who did it? Who enraged Joker to this phenomenal level of bass funk fury? Go to the top of the class whoever you are because this is absolute fire.

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'Mad Night' sets the tone with unruly oscillations and broken glass shards of talkbox devilry, 'Melkweg Bass' pays homage to one of Amsterdam's finest dancehalls with wonked out grunts, a drop into pure 23rd century jazz and an ace little sweary glitch before 'Medium Core' goes HAM with the off-grid oddities and rah-ting lasers. One of his most uncompromising and deliciously off-centre releases to date; no one does it like Joker. Review: His first proper body of work since his Mainframe album last year, Joker returns with four more reasons why he's in a league of his own: while 'No Face' tickles our cheeks with velvet purple glove, 'Only You' switches for a purple boxing glove and knocks us plain out with its big strings and romantic melodic twists. 'Planet D' is straight out of the score from movie of Joker's life in 30 years time once he's colonised five planets with his universal funky language. Finally '21' reminds us of Joker's gully roots with a swaggering halftime vibe that flexes mentasm-muscles so hard three gyms have closed down in the time it's taken you to read this review.

Classical badman.