Brian Bromberg You Know That Feeling Rare

Posted : adminOn 6/4/2018
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Light Up Sketchup Maccracken. “Bass-player records are boring to everybody-except bass players that want to learn how to play cool.” Bassist Brian Bromberg is talking about those sorts of chops-heavy but musically uninteresting CDs that low-enders will often cut when they get their rare shots to be leaders. It’s not surprisingly then, to find out that the one type of project Bromberg has chosen not to do so far is a “bass player” CD.

Brian Bromberg You Know That Feeling Rare

But make no mistakes: Bromberg is astoundingly adept on both acoustic and electric bass, and he can confidently go in any jazz direction he desires, from mainstream to contemporary to fusion. Prime examples: the all-acoustic and mainstream Wood (2002); the controversial fusion tribute Jaco (2003); and his new smooth-jazz recording, Choices (all for A440). Consequently many have been confused by the Tucson, Ariz.-born artist’s polymorphous paths. “At times I get a lot of flak for that,” Bromberg says, somewhat annoyed, from his home studio in the San Fernando valley in California. “‘Well, you’re a bass player and should be making bass records.’ No, I’m a human being, a musician, I happen to play the bass and am fortunate that I’m making music.” These days Bromberg gets to record his music at home, in a house he purchased three years ago and has invested a lot of time and money into refurbishing. Now this unassuming suburban dwelling contains a cozy state-of-the-art recording studio with DVD-audio capabilities. In fact, Bromberg did the entire 5.1 surround sound version of his Jaco album, and he works on mastering and producing many of A440’s other releases.

He has also produced projects for saxophonist Jeff Kashiwa, guitarist Richard Smith, saxophonist Kim Waters, among others. “My years of now being a producer, and the fact I’m doing so much production, have enriched the musicality of my bass playing,” Bromberg says. “That in turn has helped me with the big picture to make better records-and not just bass player records.” Choices symbolically represents the myriad of musical decisions Bromberg has made over the years-and their possible ramifications. While he tries to be oblivious to things of that nature, he still has concerns about how the recording will be received. “I’m scared to death about it because it’s been a long time since I put out any new [contemporary/smooth jazz]. But there’s a lot of really exceptional music on this record.” Bromberg feels You Know That Feeling, his 1998 contemporary-jazz CD, might be easier for listeners to get into (it featured three radio hits) than Choices, simply because the new CD is so diverse. The new album features Bromberg playing piccolo bass (which sounds like acoustic guitar) along with South African rhythms and textures, R&B grooving and soulful vocal choruses.