Oscar Peterson, Little jazz exercise, transcription [HD] Uploaded by Rora Smith on December 14, 2014 at 9:23 pm. Transcriptions of Oscar Peterson's jazz piano solos including: Falling love with love, Night train, Hymn to freedom, little girl blue, A little jazz exercise, Autumn. Watch the video, get the download or listen to Oscar Peterson – A Little Jazz Exercise for free. A Little Jazz Exercise appears on the album The Genius Of. Jul 17, 2017 A Little Jazz Exercise Oscar Peterson Pdf Writer. Lubeznik Center For The Arts. August 1- October 1. Kentico Cms 7 Crack. Public and Private: Works.

For all you jazz pianists out there, I’d like to point out a few simple techniques that Oscar Peterson commonly uses: 1. Bluesy licks – If you listen closely, you’ll notice that his lines characteristically have little bluesy inserts within them, or often at the very beginning. I would recommend transcribing some of these and playing them at the beginnings of your lines. Arpeggiated lines – Oscar often plays quick arpeggios up simple chords. Listen carefully and you’ll notice this happening often in his improvisation. Install Blackberry App World 9700 more. The best part is it’s not that hard to do once you practice it a little bit. For starters, try practicing a g minor triad arpeggio and running it quickly up and down the piano over a C7 chord.

Oscar regularly uses riffs and repeats them over and over to build tension and interact with the band. Eventually I’ll post a video to give you a better idea of how these techniques work. See if you can pick out the different ways he uses the above techniques in this video of C Jam Blues: Something else that you’ll notice is that Oscar had a very strong grasp of how to play like other pianists.

In my opinion, the work you put into practicing the styles of those who came before you will contribute greatly to your ability to discover your own way of improvising. Notice who Oscar’s influences are in the video below. Oscar wouldn’t have had Brad Mehldau on his list, so by listening to Brad, you’re already developing your own style. I highly suggest you watch this video and think about what it means to you: If you enjoyed reading this post, please go to the top right of the home page and follow the blog. Many more to come!

Do you want to learn 2 unusual Oscar Peterson jazz exercises? I’ve had a lot of students ask me who I studied when I was an up and coming jazz pianist. We’re all constantly looking for ways to maximize our return on investment with our time right? Well, I’m reaching out to you today to set the record straight. When I sat down there was 1 guy that I studied that really made a drastic improvement of my playing.

This guy was Oscar Peterson. I’ve probably transcribed about 35 Oscar solos over the years. He’s my go to source for blues and bebop mixed together. I learned a TON about from Oscar. Way too many to list in 1 email but I wanted to share 2 nuggets today that I learned from.

#1 How To Correctly End Your Rhythmic Phrases Oscar was a master at mixing short “riffy” type ideas with long virtuosic flowing bebop type lines and. When he played it always sounded like he was speaking through his fingers.

One of the big reasons he sounded so “conversational” when he played was that he always resolved his lines with rhythmic clarity. The more I dug into Oscar’s playing the more I realized he actually had worked out specific rhythmic endings to resolve his phrases with. • For example, in the last bar of a 4 bar phrase he’d end tons of his lines with 2 eighth notes on beat 1 and then the & of 1.

No matter what song he was jamming on I heard him use this rhythmic ending constantly! (By the way, Miles Davis used this one too). Another one he used all the time was ending his phrase on the “& of 3”. Again, hundreds of licks I learned from him featured this rhythmic ending. Now, there are lots of others he used but if you start adding those in your phrases it will help you sound a lot more conversational too. How To Take 1 Lick & Transform It Into 1000 Oscar Peterson Jazz Exercises One thing that I noticed over and over again in the Oscar solos was that certain licks would pop up again over and over again. Interestingly though, they sounded different and unique in every song.